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									Module 1:1 Social Construction - Humanities in Class Online Courses Forum				            </title>
            <link>https://humanitiesinclass.org/community/module-11-social-construction/</link>
            <description>Humanities in Class Online Courses Discussion Board</description>
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                        <title>The fall of Aksum</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/the-fall-of-aksum/</link>
                        <pubDate>Mon, 09 Nov 2026 00:13:03 +0000</pubDate>
                        <description><![CDATA[Two aspects of the video struck me the most. First was the impact of Lalibela and the construction of the churches. Since I began learning about this period in history over the summer it alw...]]></description>
                        <content:encoded><![CDATA[<p>Two aspects of the video struck me the most. First was the impact of Lalibela and the construction of the churches. Since I began learning about this period in history over the summer it always struck me that the most well-known monuments built in Ethiopia actually were not from its best known Kingdom (Aksum), but from a smaller kingdom which came after. That combination of religious architecture with political structures is really fascinating to me. </p>
<p>Similarly I was fascinated by the interaction between Islam, Christianity, and Judaism in this time period. The impact of the rise of Islam on this region was significant, but I had not understood that the new religion also pushed in on Aksumite control of the Red Sea. More importantly though, the role of a Jewish Kingdom in the fall of Aksum was fascinating. My family heritage is both Jewish and Christian, and I knew that there were Jews in Ethiopia, but ignorantly I had always imagined them as a small group who had presumably migrated from elsewhere. But in fact the history of Judaism in Ethiopia is much richer than I had imagined - a Jewish queen (albeit a likely mythologized one) contributed to the fall of Aksum, and Ethiopian Orthodox Christianity includes many traces of its Jewish roots. </p>
<p>The mixing of these three major religions in this one region of Africa - a continent not primarily associated with any of them - seems really important to know and understand. It reflects both the long history of complex interactions between these groups (as one presenter said - at the time moving between religions was easy, and most of the conflict was really political, not religious), and the importance that Africa played in the history of these three groups.</p>
<p>&nbsp;</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>David Meyer</dc:creator>
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                        <title>Kingdom of Aksum</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-aksum/</link>
                        <pubDate>Sat, 17 Oct 2026 12:15:34 +0000</pubDate>
                        <description><![CDATA[The inscribed stone of King Ezana, also referred to as The King of Kings, is valuable evidence in showing how the Aksum empire was able to organize and expand. King of Kings is a title that ...]]></description>
                        <content:encoded><![CDATA[<p>The inscribed stone of King Ezana, also referred to as The King of Kings, is valuable evidence in showing how the Aksum empire was able to organize and expand. King of Kings is a title that already shows his absolute power and authority, and belief that he ruled over even a wider realm than mentioned. </p>
<p>The inscription points to an advancement of both language and intellect, as it is how Ezana wanted his empire to be remembered and carried on. </p>
<p>What really struck me was the conversation surrounding his conversion to Christianity, and how it became a large part of his public representation. I really found it interesting how the people in modern day Ethiopia refer to him with complete amazement and belief, I can see how many of the people there still believe in his lasting legacy and how it changed much of the culture of religion and leadership in that area. </p>
<p>The past is important to know because it gives great insight into how the area is largely split with religious groups and practices, and how influences from surrounding areas (both in and out) were affected.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Alexandria Gleason</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-aksum/</guid>
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                        <title>Swahili Coast</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/swahili-coast/</link>
                        <pubDate>Mon, 12 Oct 2026 21:38:37 +0000</pubDate>
                        <description><![CDATA[The eastern coast of Africa linked the interior of the continent with the Indian and Arab world and became a major hub of trading and cultural blending as far back as the 7th century. Many o...]]></description>
                        <content:encoded><![CDATA[<p>The eastern coast of Africa linked the interior of the continent with the Indian and Arab world and became a major hub of trading and cultural blending as far back as the 7th century. Many of the Arabs who came to the Swahili coast were from Oman, and their cultural influences are still seen today. The video describes the Swahili culture as "the fusion of the African with Arab, some Indian, and later European influences." For example, the Swahili language is largely rooted in Bantu cultures with a significant portion also coming from Portuguese and Arabic. People traded goods such as gold, ivory, and ebony, but also shared customs and ideas. Over time this blending of culture created a distinct Swahili culture rooted in African traditions and infused with Arab, Indian, and European practices. One of the biggest impacts of this blending is the establishment of Islam throughout the eastern coast of Africa. Many of the coastal cities have large populations of practicing Muslims, even when the interior population is more heavily Christian. Much of the video echoed the thesis of the article I read describing the dangers of distilling African history and culture into a single narrative. Indeed, it seems like many of the people of the Swahili coast have one foot rooted on African soil and the other across the Indian Ocean. </p>
<p>&nbsp;</p>
<p>A new understanding that I came to while watching the video was how the establishment of Islam changed the self-perception of some people living on the eastern coast of Africa and how this led to slavery in that region and beyond. Some African that identified more as Arabs and Muslims saw themselves as foreigners. Because they saw themselves as separate from the rest of their African compatriots, they were agents who worked on behalf of Arab slave traders by acquiring African slaves from the interior and then selling the slaves to Arabs who then brought them to the Arabian peninsula across the Indian Ocean. Approximately 14 million slaves were believed to be sold along the Swahili coast during the 7th-19th centuries. I was surprised by how the elevation of their Muslim identity allowed these slave trader agents to dissociate themselves from others in their own country to the extreme of buying and selling human beings.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Christina Perez</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/swahili-coast/</guid>
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                        <title>Kingdom Of Benin</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-benin/</link>
                        <pubDate>Mon, 12 Oct 2026 20:27:01 +0000</pubDate>
                        <description><![CDATA[Before beginning the Teach Africa fellowship, I knew very little about the Kingdom of Benin or many of the civilizations that existed across Africa before the transatlantic slave trade. Howe...]]></description>
                        <content:encoded><![CDATA[<p><span>Before beginning the Teach Africa fellowship, I knew very little about the Kingdom of Benin or many of the civilizations that existed across Africa before the transatlantic slave trade. However, I had already become curious about this period of African history and started reading independently to expand my understanding. When the opportunity to participate in this fellowship presented itself, I saw it as a chance to deepen that knowledge.</span></p>
<p><span>What struck me about </span><em><span>City States and Civilisations</span></em><span> was the evidence of established political systems, artistic achievements, religious traditions, and social structures. Learning about the Kingdom of Benin and other African societies reinforces how incomplete our understanding of Africa can be when its history is primarily introduced through slavery and colonialism.</span></p>
<p><span>As an educator, I reflect on how much of this history was missing from my own education. It makes me question the narratives we pass along to children, sometimes without realizing how limited they are.</span></p>
<p><span>This experience has also changed how I approach developing my own curriculum. When I introduce my kindergarten students to Queen Idia, I want them to understand that she was part of a society with its own history, leadership, traditions, and accomplishments. I don't want Africa to exist in their minds simply as a place associated with wildlife, poverty, or historical suffering.</span></p>
<p><span>For me, the importance of studying this history goes beyond learning new facts. It is about developing a more complete understanding of Africa and recognizing the agency of African people throughout history. It also reminds me that, as teachers, we must remain learners ourselves. We cannot teach perspectives we have never taken the time to explore.</span></p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Jacqueline Wade</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-benin/</guid>
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                        <title>Empire of Mali</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali-3/</link>
                        <pubDate>Mon, 12 Oct 2026 01:54:23 +0000</pubDate>
                        <description><![CDATA[&nbsp;
I believe this was my second watch, but it was only now that it clicked that the present day boundaries in place are from Colonialism. Others hadn&#039;t respected what boundaries were al...]]></description>
                        <content:encoded><![CDATA[<p>&nbsp;</p>
<p>I believe this was my second watch, but it was only now that it clicked that the present day boundaries in place are from Colonialism. Others hadn't respected what boundaries were already in place and therefore created their own. I hadn't previously understood why the Empire of Ghana wasn't near present day Ghana. Interesting that Colonizers were so adamant that Africans were uncivilized, savages, without systems, laws and religion but many things were documented and in place but propaganda in place to steal, enslave and commit genocide on many nations. </p>
<p>Art has a way of passing on messages and allows people to interact and have a number of personal exchanges. Through out the film, there were many artistic productions of song, music, art, dance, storytelling, crafting, textiles, designing and culinary creations. The visual artist that was inspired by Timbuktu in his paintings defiantly made me think of Sankofa. Religious practices were seen with Islam and the Mende Bible.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>ToRena Webb</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali-3/</guid>
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                        <title>Empire of Mali</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali-2/</link>
                        <pubDate>Sun, 11 Oct 2026 23:36:02 +0000</pubDate>
                        <description><![CDATA[I think an overarching understanding that this video helped explain to me of of the three empires that each played an important part in this region&#039;s history and that kingdom borders waxed a...]]></description>
                        <content:encoded><![CDATA[<p>I think an overarching understanding that this video helped explain to me of of the three empires that each played an important part in this region's history and that kingdom borders waxed and waned and don't follow today's political borders necessarily.  This is definitely a Western construct that limits one's understanding of what exactly a border is.  </p>
<p>The three empires are The Ghana Empire, The Mali Empire, and The Songhay Empire.  Another significant understanding is that control of the trade routes dictated so many things: power, wealth, spreading of religion and control.  The routes that could maintain through the Sahara were key and the domestication and breeding of camels a game changer.  During the Ghana Empire, chiefs still had autonomy over their tribes as long as they paid tribute (and taxes) to the King.  Koumbi Saleh even kept the chief's sons as a token of allegiance.  Traditions tied to the coast and rivers (fishing) as well as herding and farming sustained.  Iron technology was present and ceramics since the 9th century have been found.  </p>
<p>At one time copper was more valuable than gold and salt almost equal to the value of gold in weight.  In fact, gold was traded for rock salt in the form of bars, mined outside the Ghana empire.  It was sought as a spice but also for medicinal uses.  </p>
<p>I found it interesting that Islam brought education, a written language, and that books and libraries are still valued and preserved.  Teachers and academics had books.  Now the books are in museums, written in Arabic and although many are the Koran, there are still histories and biographies preserved.  </p>
<p>In general it seems the transition from one empire to another was a relatively quick transition.  As Islam became more common, it's effects became more prevalent.  Mansa Musa, a most famous ruler, began a pilgrimage to Mecca  with 60,000 + in tow.  He stopped in Cairo, was probably the wealthiest King at the time (monetary) and brought writers and poets back from Mecca, thus more influencing his empire with Islamic thought and practice.  Through all this history we are reminded that Africans never lived in isolation.  People were always on the move.</p>
<p>All of this is important to know as we continue to explore the diversity, the influence and implications for today, the history that spans way before outside influences, and how this history influences the people of Africa today, not as a whole, but individually or at least by region.  These African empires were known throughout Europe and the Indian Ocean way before colonialism began.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Jennifer Metzler</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali-2/</guid>
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                        <title>City States &amp; Civilisations: The Benin Kingdom</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/city-states-civilisations-the-benin-kingdom/</link>
                        <pubDate>Sun, 11 Oct 2026 13:40:06 +0000</pubDate>
                        <description><![CDATA[“City States &amp; Civilisations” focuses on the Benin kingdom and the development of small chiefdoms into city states, some of which grew into kingdoms. In the documentary, the Oba, or king...]]></description>
                        <content:encoded><![CDATA[<div>
<p>“City States &amp; Civilisations”<span class="apple-converted-space"><span> </span></span><span>focuses on the Benin kingdom and the development of small chiefdoms into city states, some of which grew into kingdoms. In the documentary, the Oba, or king, describes his role as helping bring the Benin kingdom back to a place of respect and dignity globally. I was struck by how he connects his leadership to being a custodian of culture and heritage.</span></p>
</div>
<div>
<p><span>I was especially drawn to the complexity, beauty, and storytelling of the bronze castings. The painstaking detail involved in creating them shows artistic skill and technological knowledge. The documentary describes these pieces as works of intelligence that dispel stereotypes. They also pieces of functional art that tell the story of Benin.  The bronze casters are chroniclers of history, preserving stories that have been passed down orally.  </span></p>
<p>Many of the ancient bronze works were stolen when the British defeated Benin in 1897.  When the Oba was asked about the repatriation of that art, he said "We don't want or expect to get them all back.  We would even like some of them to be out there to serve as ambassadors for us because wherever they are seen, somebody will ask, W<em>here is this wonderful work from?</em>"  I love this view of artwork as a curiosity-sparker.  <span>It makes me think about how we use provocations in the classroom to invite students to notice, wonder, and ask questions.</span></p>
</div>
<div>
<p><span>This history is important to know because it challenges reductive narratives and stereotypes about Africa. It also highlights the many ways history is preserved and communicated, challenging me as a teacher to look beyond written texts and recognize art and oral storytelling as meaningful sources of historical knowledge.</span></p>
</div>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Julie O&#039;Neill</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/city-states-civilisations-the-benin-kingdom/</guid>
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                        <title>Empire of Mali</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali/</link>
                        <pubDate>Sun, 11 Oct 2026 02:45:43 +0000</pubDate>
                        <description><![CDATA[&quot;Life in Chinguetti&quot; explained the life of a particular family and how they live the same as their ancestors. I think this is important to know because that helps me understand that&#039;s a way ...]]></description>
                        <content:encoded><![CDATA[<p>"Life in Chinguetti" explained the life of a particular family and how they live the same as their ancestors. I think this is important to know because that helps me understand that's a way of life for some cultures. They want to preserve that tradition and way of living. I also found interesting when asked about his own kids/grandchildren, Mohammed stated they are more interested in studying and education. They don't seem to have the same interest in those traditions. I think it's important to know traditions are still very important in today's societies.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Francisca Miranda</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/empire-of-mali/</guid>
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                        <title>Benin Kingdom</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/benin-kingdom/</link>
                        <pubDate>Fri, 09 Oct 2026 15:19:29 +0000</pubDate>
                        <description><![CDATA[In viewing this video, I learned about the Yoruba people and saw an example of how acting is used to tell stories of everyday life.  I saw how the Igbo people are more focused on communal fa...]]></description>
                        <content:encoded><![CDATA[<p>In viewing this video, I learned about the Yoruba people and saw an example of how acting is used to tell stories of everyday life.  I saw how the Igbo people are more focused on communal farming.  I saw how the Hausa people use the natural resource of indigo to dye fabrics.  What is most interesting to me is how unique the cultures are and how rooted their ways of life in centuries old traditions.  I found it very interesting also that the Bronze art of Benin is used more for storytelling than singularly for expression. Whether through acting, food, the dyeing of fabrics, or making of bronze art, all connect to the past, are used in the present day to sustain the culture of the people either through money madeor sharing with the next generation and other cultures.</p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>Tara Thomas</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/benin-kingdom/</guid>
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                        <title>Kingdom of Kush</title>
                        <link>https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-kush-2/</link>
                        <pubDate>Fri, 09 Oct 2026 01:50:15 +0000</pubDate>
                        <description><![CDATA[The documentary shows that the Kingdom of Kush had powerful kings and queens, a strong economy based on trade and agriculture, its own writing system, impressive pyramids, religious traditio...]]></description>
                        <content:encoded><![CDATA[<p class="x1ghz6dp x1717udv x1wty727 x1pd3egz x4gjf66 xdj266r x15eiy0f x1lziwak x15472z4 x1qlqyl8 x15bjb6t x1lliihq x14rh7hd" data-d-component="text"><span data-d-streaming-word="">The</span> <span data-d-streaming-word="">documentary</span> <span data-d-streaming-word="">shows</span> <span data-d-streaming-word="">that</span> <span data-d-streaming-word="">the</span> <span data-d-streaming-word="">Kingdom</span> <span data-d-streaming-word="">of</span> <span data-d-streaming-word="">Kush</span> <span data-d-streaming-word="">had</span> <span data-d-streaming-word="">powerful</span> <span data-d-streaming-word="">kings</span> <span data-d-streaming-word="">and</span> <span data-d-streaming-word="">queens, </span><span data-d-streaming-word="">a</span> <span data-d-streaming-word="">strong</span> <span data-d-streaming-word="">economy </span><span data-d-streaming-word="">based</span> <span data-d-streaming-word="">on</span> <span data-d-streaming-word="">trade</span> <span data-d-streaming-word="">and</span> <span data-d-streaming-word="">agriculture,</span> <span data-d-streaming-word="">its</span> <span data-d-streaming-word="">own</span> <span data-d-streaming-word="">writing</span> <span data-d-streaming-word="">system,</span> <span data-d-streaming-word="">impressive </span><span data-d-streaming-word="">pyramids,</span> <span data-d-streaming-word="">religious</span> <span data-d-streaming-word="">traditions,</span> <span data-d-streaming-word="">and </span><span data-d-streaming-word="">advanced</span> <span data-d-streaming-word="">ironworking</span> <span data-d-streaming-word="">skills. </span><span class="xt0psk2 x1ghz6dp x1717udv x1wty727 x4gjf66 x15eiy0f x1lziwak x15472z4 x1qlqyl8 x15bjb6t x1s688f x14rh7hd xdj266r" data-d-component="text" data-d-inline=""><span data-d-streaming-word="">This</span> <span data-d-streaming-word="">history</span> <span data-d-streaming-word="">is</span> <span data-d-streaming-word="">important</span></span> <span data-d-streaming-word="">because</span> <span data-d-streaming-word="">it</span> <span data-d-streaming-word="">challenges</span> <span data-d-streaming-word="">stereotypes</span> <span data-d-streaming-word="">about</span> <span data-d-streaming-word="">ancient</span> <span data-d-streaming-word="">Africa </span><span data-d-streaming-word="">and</span> <span data-d-streaming-word="">shows</span> <span data-d-streaming-word="">Africa’s </span><span data-d-streaming-word="">contributions</span> <span data-d-streaming-word="">to</span> <span data-d-streaming-word="">world</span> <span data-d-streaming-word="">history. </span><span class="xt0psk2 x1ghz6dp x1717udv x1wty727 x4gjf66 x15eiy0f x1lziwak x15472z4 x1qlqyl8 x15bjb6t x1s688f x14rh7hd xdj266r" data-d-component="text" data-d-inline=""><span data-d-streaming-word="">What</span> <span data-d-streaming-word="">struck</span> <span data-d-streaming-word="">me</span> <span data-d-streaming-word="">most</span></span> <span data-d-streaming-word="">was</span> <span data-d-streaming-word="">that</span> <span data-d-streaming-word="">Kush</span> <span data-d-streaming-word="">conquered</span> <span data-d-streaming-word="">and</span> <span data-d-streaming-word="">ruled</span> <span data-d-streaming-word="">Egypt</span> <span data-d-streaming-word="">and</span> <span data-d-streaming-word="">had</span> <span data-d-streaming-word="">powerful </span><span data-d-streaming-word="">queens.</span> <span data-d-streaming-word="">I</span> <span data-d-streaming-word="">was </span><span data-d-streaming-word="">surprised</span> <span data-d-streaming-word="">by</span> <span data-d-streaming-word="">how</span> <span data-d-streaming-word="">advanced</span> <span data-d-streaming-word="">and</span> <span data-d-streaming-word="">influential</span> <span data-d-streaming-word="">this</span> <span data-d-streaming-word="">African</span> <span data-d-streaming-word="">civilization</span> <span data-d-streaming-word="">was.</span></p>]]></content:encoded>
						                            <category domain="https://humanitiesinclass.org/community/module-11-social-construction/">Module 1:1 Social Construction</category>                        <dc:creator>XIUJUAN LI</dc:creator>
                        <guid isPermaLink="true">https://humanitiesinclass.org/community/module-11-social-construction/kingdom-of-kush-2/</guid>
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